In the Star Wars series, no tale is more mysterious and controversial than his conception, and in The Acolyte, the newest series in the canon, fans have been taken on a wild ride learning the truth in a way that could be no less preposterous than it is riveting.
At the centre of The Acolyte story are Mae and Osha, twin children born beneath the spectral light of Brendok, their world ruled by their mothers Aniseya and Koril, who practise their craft under the murky tutelage of a coven of witches whose power lies beyond that of light and dark.
Their mastery over the Force – their dark, unnatural mastery – rattles the galaxies, moving like a scythe through the Force, and the Jedi, represented by their Master Sol, notice. Their intent on putting a stop to this power incites the violence that destroys Brendok.
The plot twists around the rocky relationship between the sisters Mae and Osha, who betray one another when the latter develops a longing for the outside world, and the violence was initiated by Mae’s ruthless reaction. The movie culminates in the coven self-destructing as it is torn apart, over a Force that does no more than turn it against these sisters who tried to control it without restraint.
Brendok’s traumatic birth suggests that the dark magic of the cronobogus witches, especially their ‘frigganomics’ of midichlorian-powered life, might be connected to the power that brought Anakin into being. Maybe Darth Sidious had a hand in the prequel births too.
The Acolyte’s big reveals force us to reconsider everything we thought we knew about the Force, the Jedi, and the intricate push-and-pull of destinies that weave together the Star Wars galaxy. With their dive into the dark roots of Anakin Skywalker and the mysterious ‘dynamic in data that’s Force in motion’, the series adds a whole new layer of meaning to their sprawling narrative, spiralling out into new directions for the galaxy’s lore.
Besides solving mysteries, The Acolyte is about ushering in a new era of storytelling for Star Wars. The ambitious narrative choices – like its experiments with the unreliable narrator, with the Force being more complicated and not always a good thing, and with Star Wars going full Gravity (1990) in its heist-film subplot – invite fans to view the universe with new eyes, a gesture that enriches the mythology of the franchise as well as breaking open pathways for future stories to tread into new territory.
Intangible and limitless, the Force is an unseen “energy field” that can be used by lifeforms in the Star Wars cosmos to perform otherwise impossible feats, affecting events from the scale of a single planet to the entire galaxy. The Force, the Acolyte suggests, is everything, and binds the galactic world, taut as it is currently between light and darkness. By further delving into the capabilities of the Force, the Acolyte decisively positions it as a crucial linchpin of galactic history: you can’t make sense of the Star Wars saga without some grasp of the Force.
In examining the Force’s machinations behind why events and characters move in the direction that they do – such as, most spectacularly, the impossibly conceived Anakin Skywalker – The Acolyte draws attention to this forceful “something” and its pervasive influence on the fates of the Star Wars cosmos. The result is a franchise layered with complexity that deepens fan interest in the magical energy that has guided the Star Wars casts’ consciousness since the opening lines of the first movie.
Ultimately, The Acolyte expands the Star Wars universe by opening more gaps, not fewer – and giving fans a chance to just think a little more deeply about what these gaps might contain, about what the Force is, and what it might be. The more the series delves into that, the more we can expect the threads of that Force to keep unspooling, meticulously, into an expanding tapestry, ensuring that the Force remains Star Wars’ central mystery.
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