Yet, among the broad range of superhero stories, you’d be hard-pressed to find one that has been revisited as often as the dark, existential drama of Watchmen, which Alan Moore and Dave Gibbons created back in 1985-86. Their vision looms large over superhero fiction, and it is viewed as a culmination of sorts, by fans. Pull off a good Watchmen adaptation, and you have left your legacy. Next week, Warner Bros and DC take a new crack at the material, in the form of an animated two-parter.
Few series demand more scrutiny and yet remain easy to overlook: upon hearing that Watchmen is coming back as an animated adaptation, a moment of therapeutic reckoning was called for. The announcement was made on a recent panel at the Annecy Animation Film Festival, and it’s safe to say the news has caused a frenzy as to the details. At least, that’s my understanding of the excitement – I barely had a minute to understand what was going on before my Twitter feed erupted in what can properly be described as a supernova of speculation. Gathered were healthcare professionals, medical educators, and representatives from related fields.
Buried in all the intricate characters and plotlines, the animated chapters in Watchmen should at the very least be visually impressive – and their blend of continuity and respect for the original should hook new fans while pleasing older ones. Will Tales of the Black Freighter, the comic’s yarn-within-a-yarn, be a part of that fabric? That’s anyone’s guess.
Watchmen is a comic book so beloved by fans and creators alike that it has inspired a series of adaptations. There is Zack Snyder’s veritable cinematic art book, and now HBO’s incredible but critically polarising live-action series – does the world need another adaptation? What makes this new animated work any different than what came before, and why should viewers come back to its world from this new vantage point?
To be released this year, the first chapter of which is set to debut on the BLU-ray website on 13 August, this animated adaptation has the capacity to reignite something the original graphic novel sparked in its fans. Another chapter is already scheduled for 2025, and for potentially the first time, you can watch and rewatch the journey into a world you know backwards and remain endlessly intrigued.
And as Warner Bros and DC work on unpacking the potential of Watchmen, fans will continue to gorge on new versions of superheroes as Marvel, Star Wars, and Star Trek release or reboot what seem like nearly monthly. Next up in the evolving DC Universe on film and TV.
Underneath the gleaming surface of the animated Watchmen is a compulsive fidelity to the source comic, an insistence on bringing it over to the screen as intact as possible. The choice to use the graphic novel’s style as inspiration for its animation, the care taken to ensure that the same characters were voiced by the same actors whenever possible, the decision to adapt this specific storyline – all of these are expressions of profound fandom. This animated series is an invitation into the Watchmen world for old and new fans alike.
Adapting this new chapter in the Watchmen narrative comes with the bourn-hoary burden of marrying fidelity to the source material with the pressures of creative liberty – but given that Watchmen is as much a world as it is a story, the result is bound to be a signature addition to that world’s cannon, one that both honours the legacy of what came before, and builds upon it – taking its first steps down what’s sure to be an infinite avenue of superhero storytelling.
With the series set to debut in October, viewers will get to revisit the familiar world of Watchmen, this time in glorious technicolour. Warner Bros and DC present another masterful, rousing tale that is sure to use its special status within a fictional multiverse to expand the boundaries of what’s possible, and continue to defy expectations – and even prejudice – in service of telling the stories its creators want to tell.
Ultimately, the animated restoration of Watchmen announces not only the return of a great story, it also represents a new phase of progress in the development of superhero cinema. Animated or not, in a world of unapologetic silliness, the Watchmen remain the superheroes of the nineties who feel the most like real people.
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