Behind every hit song, there’s a growing, irritated murmur: Spotify has a fraud on its hands! So says the National Music Publishers’ Association (NMPA), which takes the streaming giant to task with a complaint that it has filed to the Federal Trade Commission (FTC). The gist of how the NMPA sees it: Spotify has decided to morph into a platform for audiobooks. When subscribers buy Spotify’s broadest service, the listener gets audiobooks mixed in as an undifferentiated part of the ‘music’ package. That, of course, is Spotify’s prerogative. However, the NMPA says in its 18-page document, Spotify’s strategy is less to expand service than to increase profits, in part at the expense of royalties that music publishers receive for song use.
When Spotify announced in November 2023 that all premium subscription plans would offer 15 hours of audiobook content, eyebrows were raised and ire was the result. It didn’t take long for that addition to premium plans to be followed by the announcement of an audiobook-only subscription tier, itself priced at a measly $10 a month. Outcry was swift. The NMPA lamented price hikes created by the inclusion of audiobooks, while subscribers also felt priced out of the service or relegated to an ad-filled tier.
Beyond the harm to Spotify subscribers, the news of the company’s strategic pivot also signalled a dissonant note with music creators themselves: according to NMPA calculations, Spotify’s bundling of audiobooks would allow the company to save approximately $150 million in music royalties during the first year alone. The prospect of that sizeable reduction in payouts would likely transform the terms of the ongoing debate regarding the proper level of remuneration music creators deserve to be paid in the streaming era.
‘Sham’? Several recent descriptions of Spotify’s new audiobook plan explore the inherent perception in these days that, at least where music is concerned, there ain’t no such thing as a free lunch. The paltry $1 increase from the subscription-only audiobook offering and the full Premium package (both music and audiobook) begs the question: are these audiobooks being marketed as truly ‘free’ – at least as ‘free’ as the music – or is it merely a means towards artificially inflating the perceived value of Spotify’s bundled subscription, at the expense of the people who actually create the music?
With fights like this one for the very future of the music industry, the question arises as to what kind of impact Spotify’s royalty payment model will withstand as the backlash mounts and the volume rises. The streaming behemoth has already been accused of paying its artists too little, with performers and publishers complaining that profits are being disproportionately diverted to platforms rather than producers.
The drama that has unfolded has sparked a larger discussion in the music industry about the viability of current streaming models – and how the money that flows from them might be distributed more equitably. In charting these more inland waters, Spotify will be navigating far choppier seas, though these might prove more conducive to the types of business models that talented musicians and savvy investors will need to discover if they are to succeed in the future. The scrutiny of regulators, trade groups and creators could still force meaningful recalibration of how value is measured and allocated in the new music business.
The core issue of the NMPA’s complaint circles back to a crucial question over how the streaming industry as a whole can improve so it better serves the artists and creators that prop it up. This might be a controversy that moves the needle. If it moves the needle enough, then perhaps streaming platforms will finally rethink the ways in which they package creative works for service. Hopefully, by the time the dust settles, the artists’ voices will be heard, and their due compensation will be sure to follow.
In this setting, ‘boost’ itself has become a critical word, standing for both Spotify’s efforts to improve its services, and the pushback that seeks to elevate creators’ rights and royalties. This versatile word connects the company’s drive to grow with the music industry’s efforts to boost fairness and economic justice for music’s makers.
More Info:
© 2024 UC Technology Inc . All Rights Reserved.