You never know where the twists and turns of tech innovation will lead. In recent months, the road from prototype to purchaser has taken strange new routes: from the reported collision of AI wearables with the real world to the fresh new sounds made by next-gen audio engineers. Let’s head on a couple of them.
The Humane AI Pin — hailed as the next revolutionary AI-augmented wearable hologram projector — might not have exactly turned out as planned. The device, which its inventors call the world’s first ‘humanizing’ product, has been berated for being shipped without key features and for overheating and with a projector that doesn’t perform well in the daylight, all at a hefty cost of $700. Weeks after releasing the product, Humane’s leadership is reportedly considering selling the company.
Another, towering figure of tech finance has also been in the news recently. Elon Musk also owns an electric car company, Tesla, but his cash-splurges have been even more eye-popping. At Tesla, shareholders are about to vote on whether or not to approve a proposed $56 billion salary for Musk. This has reignited the tech world’s long-running debate about whether all this wealth is deserved, and whether the giant pay-packets are good for anyone else. With his trail of broken promises and his re-allocation of vital and scarce resources away from Tesla and into Musk’s other preferential companies (for example, redirecting Nvidia AI chips from Tesla to his other companies), Musk illustrates the conflicting, yet reciprocal, relationships between innovation, selfish ambition and corporate governance.
The WATT/Puppy speakers, newly reissued with a model number that is simply as it has always been – WATT/Puppy – return to the music-listening world with a current ars/technica tweak, and all the homage and reverence that embraces an audio relic from way back in 1985. The original speakers that started the whole thing in 1985 were, if you had to describe them in one word, elegant. The 2023 Puppy are elegant, too, by which I mean that their aesthetic form and stature matches their acoustic character. What had been a limited and somewhat cramped small bookshelf enclosure has morphed in this latest major redesign since the sixth iteration in 2011 and 21st iteration overall in 2023 to a slightly more rectangular, angular shape that also features the option of using smaller or larger cabinets to accommodate the imposing 12in woofer and the matching 12in midrange/tweeter. Not everybody wants the same size speaker, might be the lesson. And why confine oneself to just one option, for that matter? Though Wilson Audio has not yet proclaimed itself a guilt-free green company (maybe it wants to), there is nevertheless the wink-wink, nudge-nudge marketing nod of Wilson’s incessant efforts to reuse and recycle as much of the speaker chassis as possible from its long run of previous Puppy models. Individual cabinets can be used in numerically sequenced pairs or singles. And why be content with just speakers at one end and an amplifier at the other? Your system can be joined by a digital stage in the middle of the room and a stage on the side. All up, you better have a large living room. The 2023 edition of the WATT/Puppy carries an MSRP of more than $53,000 for a pair.
The WATT/Puppy isn’t about listening — it’s about re-experiencing recorded music as it was originally intended to be heard. Options allow customers to configure their speakers into different packages, and the vibrational isolation of the design means that they can be customised to suit the requirements of even the most exacting audiophile in his own personal or occasionally intimate surroundings.
However, the fact that Google has begun including AI Overviews on search results has started attracting criticism by those who believe the summaries are offering overly reductive or just plain inaccurate overviews. It’s hard to say whether a full seismic transition is coming – after all, you still have to click on the AI Overviews to actually read them. It’s also not clear that engagement with any content is what those websites depend on for traffic. But the idea that Google can start paving these accessibility slippaths does seem to open up the possibility that it also might guide people away from the content it doesn’t want them engaging with, while enticing them to pay attention to what it does.
It’s interesting to consider the stories of speakers – both those considered highs and those considered lows – because they reveal our speakers in their manifold, multivalent humanity. They are not just devices. And the story of their development highlights not only the generative intersection of innovation and craft in efforts to bring new sounds to life, but also how the quest for excellence in the tech industry must be balanced against the frustrations of design, performance and pleasing the masses.
Just as many of us explore the story of the Humane AI Pin and watch in awe as Wilson Audio crafts impressors, speakers remain as central to the drama of our digital, sonic lives as they have been for decades. Wedded to the cutting edge of technology or the banal reality of human behaviour, we cannot escape the speakers that, ironically, bridge the gap between us and our greatest illusions.
It doesn’t necessarily matter whether we follow the circuitous path of spectacular innovation triumph or the tragicomic failures of sound tech, the tales of ambition, defeat and triumph woven by speakers are a unique and integral part of our collective technological experience.
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