Disney’s magical kingdom is about to draw millions more people around the planet into its thrall as it takes one of its most popular characters, born of ‘cartoon’ fairydust, and gives it a sprinkling of real fairy magic. When it was announced more than a year ago that one of Disney’s brightest lights of 2016, the animation Moana, would be re-imagined as a live-action experience, excitement reached a fever pitch. Now, with Disney’s announcement that the Australian actress Catherine Laga’aia is set to star as the Polynesian heroine, the waves of anticipation have reached new heights.
In an industry that looks at representation more closely than ever before, Disney’s casting of Laga’aia is not just another retelling, but a true celebration of Polynesian culture and female power. Raised in Samoa – ‘Fa’aala, Palauli, Tuai, in Savai’i and Leulumoega 5, on Upolu’ – she brings a personal touch to the role. ‘I feel blessed to be able to showcase Samoa and all Pacific Island peoples and represent for young girls who look like me,’ said Laga’aia, clearly elated.
And truly, adding another layer to the backstory of the film’s production is the actress Auli’i Cravalho’s transition from voicing Moana to stepping behind the mic as one of the film’s executive producers. The complexity of this move shows how this new type of star is possible. Cravalho, who had already embodied the essence of Moana and lived the cultural truths she represents, knows Moana better than anyone. Her addition to the production will continue to enhance the film’s voice.
As actors go, Disney has never shied away from drawing a quote-unquote perfect cast for their creations, and the live-action Moana is no different. Starring alongside Laga’aia and Dwayne ‘The Rock’ Johnson – who is reprising his role as Maui – is a whole slew of Kiwi talent including John Tui, Frankie Adams and Rena Owen, who will play Moana’s family and wise Gramma Tala. The handful of inclusion guarantees that Moana will paint a true picture of Pacific Islander life, as well as of family therein.
Disney’s success in recasting animated classics as bloated, expensive live-action spectacles continues. Sure, they’re nostalgia trips for grown-up Gen-Xers fueled by a bit of pot and a good number of $6 bucket-o-popcorns. But what could have sunk in oblivion, like Aladdin or The Lion King the remake, gets remade and repurposed – for a new generation’s delight. With its June release, Moana paddles upstream against how the franchise has come to embody Disney’s commitment to diversity and heritage in cinematic entertainment.
Floating beneath the surface of these sparkling waters is an ocean of further stories ready to be plucked from Disney’s animated past for the live-action treatment. In addition to films based on Snow White, Bambi and Hercules, it’s safe to say that Disney is only just beginning to tap into its animated back catalogue. Every future adaptation of a Disney story, whether it’s Moana or another movie set in the past, is another story that Disney is adding to its saga, each one tweaked to reflect changing times, and infused with the diversity of lived human experiences.
Not only does this live-action version of *Moana* promise a grand sea-faring adventure to the farthest, deepest waters of the Pacific, it also seems like a major step in embracing and celebrating Polynesian culture on the big screen. With a cast and crew largely made up of Pacific Islanders, led by Catherine Laga’aia, expect Disney to navigate to storytelling depths as deep as the ocean itself. Moana is scheduled for theatrical release on 10 July 2026.
Within *Moana’s* live-action remake, the executive is integral. Piloted by Auli’i Cravalho, the producer grants creative authority to the voice not only shaping the film but honouring its cultural legacy in all its specificity. The trajectory of actors taking on more meaningful executive power is only accelerated. On screen, executives assist with shooting and editing projects with the same nuance and gravitas that the actor would bring them. The executive role becomes more central in the storytelling landscape as cinema evolves – a medium focusing on ‘experiences’. Thus, all the stories are not only seen but felt.
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