When it comes to horror cinema, few films reach the pantheon of so-called cult classics with as much deserved mystery and fanaticism as I Saw the TV Glow. For years, this singular genre film has been known only to those brave enough to sit through a festival programme or the most committed of genre fans. Now, the film has finally fired off its very own circuits and channels of midnight fantasy, breaking into the landscape of mainstream accessibility, and adding another nail-biting chapter to the history of horror.
A noirish meditation on the inner life of a teenage girl, I Saw the TV Glow premiered at Sundance in 2017, coming through the slasher’s mouth like a promise that it would be a slow-burn, psychologically disturbing study in atmospheric suspense. Already known mostly through limited theatrical releases and quiet screenings, its circulation pattern generated cultish demand, making it available only as the Holy Grail of the horror set. The film’s installation in the streams proclaims an arrival of sorts for a classic that’s been waiting for a home where it can be consumed.
Watching the movie, the story of I Saw the TV Glow unfolds like a Lois Lane mystery, but heightened to the full creepiness of musical instruments bending a space-time continuum. Before long, the young protagonist has broken open a crate in the attic to find a TV that’s older than her and carries her away on a long ride through an uncanny terrain of sinister conspiracies and cold shivers. Through the subtle use of atmospheric tension, an otherwise bland story can become riveting and transformative.
This praise for I Saw the TV Glow speaks not only to the artistic merits of the film, but to the continued significance of its story and its captivatingly creepy repertoire of sight and sound within the horror genre. Reviewers have uniformly applauded the film’s sound design and visual storytelling, which combine to create a memorable and haunting cinematic experience. You couldn’t ask for a better badge of critical and popular acclaim: it’s the kind of review that ensures a film will be shown repeatedly.
Now that I Saw the TV Glow is available for streaming on sites such as Amazon Prime Video, Apple TV+ and Google Play, horror enthusiasts and newcomers alike will have the chance to watch the film experience its revival, one dimensional and colourful pixel at a time. Not only has access democratised the viewing experience but it has also secured a classic’s place in legacy television.
The home streaming release of I Saw the TV Glow is a crucial turning point for horror viewers banking on a cultural hunger for more than the usual scream. It is also a sign that, like many great cult classics, it has taken time to find appreciation by the masses. The movie’s long trek from late-night festival slots to the mainstream is a story of resilience and the enduring appeal of good horror.
At its most basic, ‘classic’ means something that’s withstood the slings and arrows of outrageous fortune, and has retained its value, pleasure and relevance over the course of decades and even centuries. The truth of this axiom is borne out by I Saw the TV Glow: the fact that, even now, across hundreds of thousands of television sets, tens of thousands of children are engaged, terrified, fascinated, plainly humbled by this film, is a testament to the job it’s doing and the artists who created it. It’s a film about the human brain, set against a horror backdrop, that someone thought was a good idea. That’s what a classic is.
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