With cinematic universes only getting bigger, in our age of cross-pollination where it takes a research expedition and an internet scavenger hunt to delve into a new series, we can now look to a lone beacon for fans of Star Wars (and hopeful newcomers) looking to join this vast universe of storytelling – The Acolyte, coming in 2024, from the very beginning has promised viewers, and Disney+ subscribers, the chance to see Star Wars with no homework necessary.
After so much concern among Star Wars fans about the apparent necessity to watch a sprawling series of content just to get the latest narrative, The Acolyte feels like a rogue wave – a break in the canon of interconnected storytelling. Sure, it’s nice to watch Andor, The Book of Boba Fett and Ahsoka right before watching The Acolyte, but it’s not necessary to know and love those stories to love this one. This new series by Lucasfilm Games – and another by a different development team – reasserts an important point from the beginning: Star Wars stories can be their own thing.
A century before The Phantom Menace, in the final days of what was called the High Republic, ‘The Acolyte’ enters a time rich with new characters and new planets, but one that has been fully built out through a slew of books. Yet, it’s standing alone as a rogue vanguard, one that doesn’t require prior knowledge of the High Republic universe. Leslye Headland, who created the show, is telling both the fans and the newcomers that it’s standalone. ‘You certainly don’t need to have read anything or know any references to it,’ she says.
Right off the bat, The Acolyte promises viewers previously unseen stories, worlds, and characters in something that’s compelling yet easily accessible, with the only port of call being Star Wars’ Jedi, the Force, and its ever-appealing lightsabres. Headland’s goal is clear: to keep the series tethered to the prequel planets, but also guide it into previously uncharted reaches of the Star Wars universe.
The determination to tell a story in which successive events can’t drag each other down by the material of their gravitational field marks the series as a renegade. Its self-containment ensures that, whether you are a veteran of the galaxy far, far away or a Star Wars newbie, the series is one to be explored with a compass pointing firmly away from any supplementary materials.
Premiering on Disney+ on 4 June, The Acolyte could be just the ticket to the Star Wars galaxy that fans and newbies alike have been waiting for – the start of a new entry point to the saga that draws and delights without demanding viewers subject themselves to months or even years spent engaging with its other expansive installments.
While ‘The Acolyte’ is pledged to be ‘expanding the portal into the Star Wars galaxy’ in a very different way, this would be a good time to glance up at the larger constellations. Marvel, Star Trek, the DC Universe and Doctor Who are among the franchises whose expanses are still growing. Tracking their activity makes it possible to see your next trip into another world coming.
Rogue – like the noun itself – is the spirit of nonconformity in the service of this article. Rogue is the off-road, the storytelling that dares to go it alone within a universe whose bread and butter is synthetic continuity. The Acolyte’s rogue approach is as much of a gift to the Star Wars universe as it is a roadmap to all the storytelling that will follow it.
This departure from deep franchise lore in favour of building an escapable story from the ground up is, after all, the root of rogue-ishness. Expanding our horizons by telling stories that can be enjoyed on their own, that don’t require a trip through the stars to get your bearings, is what it means to be rogue. If rogues are going to be at the heart of commercial films, the Acolyte will be the star of the show. Rogue storytelling is storytelling you can enjoy without having done your homework first – no required reading or cosplay, just the spectacle of Star Wars.
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