Strands is the New York Times’ newest word game – a puzzle that tasks players with deciphering its secret by zooming in and out, reading and weaving like a sailor in a gale. A mash-up of a word search and a classic visual treasure hunt, Strands is a mnemonic device for your brain. Like the dominant NYT word game before it, Wordle – and like its younger siblings, like Connections and the Mini Crossword – Strands offers puzzle solvers both the thrill of brain-bending and the quiet, self-satisfied joy that comes from solving a puzzle. This article introduces you to Strands, offers some strategies, and also includes hints and the answers for today’s puzzle.
Strands stands out by taking the basic word-search format and layering complexity on complexity, encouraging players to not only locate hidden ‘theme words’ scattered in a mass of letters, but also to consider how to reach those words in the fewest strokes while connecting to other words nearby. Not only does this require word knowledge – it also requires cognitive flexibility and spatial reasoning.
The adventure starts with a grid that’s chock-full of letters, and your job is to find all of the themed words by clicking on and dragging them out. To answer, just select the first letter, drag it to the last letter in your word, and then double-click on the final letter to complete your answer. The program signals to you when you’ve got a correct word by shading it blue and making it unselectable – but only after using it to lead you to some part of the day’s theme.
Strands doesn’t leave its players out at sea; there’s a hippo strapped to their backs in the form of a hint for every set of three non-theme words, each of at least four letters. The hints reveal the letters of a theme word jumbled up, like a telegram from your grandmother.
A special feature of each puzzle is a word or phrase, called a ‘spangram’, that not only relates to the puzzle’s theme, but also spans the grid from one side to the other. A spangram is always highlighted in yellow for good reason.
Taking its place in centuries-long traditions of themed word games, today’s Strands puzzle drops you into the verdant world of gardening as an embodied metaphor for learning: ‘Patience is a virtue…’
The spangram is the keystone in the arch – that one piece that, when pointed out, will help you understand everything The spangram for today is GARDEN: it is the spangram, but it is also the keystone in the arch, the piece of the puzzle that explains everything.
PROTECTION, SEEDS, WATER, LOVE, SPACE, EARTH, SUNLIGHT – these are not just ingredients for a profitable garden, they are the clues for solving the riddle of our time.
What is the appeal of Strands, then? As with the best of its forebears, the allure of success lies in a combination of linguistic knowledge and cognitive strategy. It demands lateral thinking, pattern recognition and, most crucially, the patience to stick with it. Every now and then, a hint or an unveiled spangram can give you a prod in the right direction, kickstarting an insight and pushing you the last few yards to the solution.
In the future, no one will reinvent this wheel The durability of classical puzzles as an offspring – or at least a sibling – of ancient games suggests some value in its own right. In conveying that tradition to a new generation of word puzzle fans, Strands builds on, rather than replacing, those that came before.
In puzzle, game and brain-training parlance, ‘classic’ refers to an ongoing appeal, tested by time and distinguished by innovation tempered by tradition. Classic puzzles are ones in which generations of players continue to find the right challenges – visual, verbal or numerical – for their intellectual appetites. They are designed to be easy, or easy to learn, and pleasingly satisfying to master. At their best, they tend to be generously inclusive and not elitist. The old word puzzles are therefore worthy of a continued presence in our printed and virtual world, perhaps like Colquhoun’s and Wilson’s Strands: revitalised by new elements that build on what works best in the old original.
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