As streaming services and home entertainment systems continue to seek to bring the movie theatre into our homes, there has been a lone TV setting aiming to offer ‘film exactly as the director intended’. It is the noble – if misbegotten in many ways – concept of Filmmaker Mode. Whether divine or diabolical, this feature usually delights some and frustrates others. What is Filmmaker Mode and how can it help you get movies to look the way they were intended without ruining the joy of home viewing? Let’s sort it out.
In essence, Filmmaker Mode seeks to present films and TV shows unadorned by the kind of post-processing effects – including motion smoothing, sharpening, and noise reduction – that many modern TVs now apply by default. It’s about presenting films as they came out of the camera or lab, emulating the ‘look’ of real movies to the greatest possible degree: the colours, the contrast levels, the motion.
Ultimately, Filmmaker Mode was propelled by the desire to respect and defend the director’s artistic vision in the face of convenience features that interfere. A key part of this vision is for the juicy blacks of film cinema to remain just as juicy on digital displays.
Well-meaning as it might be, Filmmaker Mode also runs into practical problems.
Another core feature impacted by Filmmaker Mode is motion.
Fortunately, that discussion is changing.
Recognising that, well, one size does not fit all, it’s good to know that Filmmaker Mode does allow for a bit of customisation.
And for those devoted to preference over purity, plenty of other viewing modes are at hand.
The future holds super-smart modes such as Netflix Adaptive Calibrated mode or Prime Video Calibrated mode.
Motion, in the context of Filmmaker Mode, really is that subtle dance.
The issue of motion – or rather, how this setting treats it – illustrates the tension at the heart of the contentious Filmmaker Mode challenge.
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