Doctor Who has long been one of the cornerstones of British sci-fi, full of silly time-hopping adventures. With the new season — Russell T Davies’s third in charge — about to explode on to our screens, there is a sense of things beginning anew, of a cultural reframing that sweeps along the Disney deal and the promise of new lands and expeditions.
Nestled in the middle of the season – crafted by the modern studio series mastermind Russell T Davies – is a single, juicy, stand-alone episode that fans will be dying to see. Davies spoke at length recently in a feature in The Hollywood Reporter: Here’s the secret about Season 3, which launches on BBC America in August with a 60th-anniversary celebration and then continues across a total of eight episodes. The first episode is a character coming on board for a pure 24-hour chase of the Doctor. It would be spoiling if I told you any more. But that’s what we do to re-energise the mythology.
The Disney deal is the next step in the history of Doctor Who. Davies had hinted about how this collaboration would help the series tell bigger stories with more impressive visuals. Allowed access to Disney’s wealth of resources and global distribution, the Doctor Who team is now able to tell bigger and more ambitious stories that will keep the series’ legacy expanding galaxies far and wide. The deal also makes room for an expanded universe, with animated and documentary storytelling already in development.
Davies’ roadmap of where Doctor Who is going for the next five years reads like a blueprint for the rebirth of the show as a franchise, set to expand far beyond the confines of the show’s core serials and forge a brand new universe of spin-offs. The show would not just be renewed: it would become something entirely new. For fans, this was a message that the TARDIS is still in flight, and will fly forever more.
Davies’ words about the cast, including Ncuti Gatwa, the new Doctor, reflect the breadth of talent steering the series into this next phase. The ‘Rogue’ episode in particular highlights the crew’s creative talent. Their choreographer, Jack Murphy, should be commended for his work. Davies says that he feels the series is being told by people who are ingenious and talented.
A life-affirming 60th anniversary of Doctor Who, then, or ‘Doom’s Day’, a multi-platform epic written as a celebration of an extraordinarily long-lived brand. As a nod to how the Who universe has evolved while staying essentially true to itself, it arrives in audio, novel, comic, and game formats.
But I want everyone in it,’ Russell T Davies declared, speaking about his show’s future as if it was already a runaway hit. It’s starting to look like one. It turns out Walt Disney’s people were just the first of many who’ve recently found their way to Russell T Davies’s studio in Cardiff. For a while, the executive editor’s name kept popping up on his Whiteboard, the props that every successful TV producer is supposed to keep beside their desk. It was chugging along, with a nice, even pattern. But one day someone decided to add zin, rogue, hyperspace, retrofit, and Story Room. That’s when Davies knew it was time for a refresh. The second season of Doctor Who is over, and the rebirth is just beginning. There are five years on the board. The Green and Black families have returned. There will be new legends too, new names in the canon. You thought you’d seen it all. When it comes to Doctor Who, you haven’t.
Summed up, then, ‘Rogue’ is a cosmic reflection of the past, present and future of Doctor Who – a harbinger of change but also a reminder of the vitality and sense of adventure that runs through the series, and one that has been there since the very beginning. At the beginning of new things, ‘Rogue’ is the epitome of the promise of wonders to come, a manifestation of the magic that happens when the past and the future collide. So as we brace ourselves for Season 3 and the new world of Russell T Davies and Disney, ‘Rogue’ serves as a reminder of how unpredictable and exciting the journey of Doctor Who can be.
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