I’m going to dissect the red centre of ‘House of the Dragon Season 2’ because, right from the first episode – A Son for a Son – the narrative is as gripping as it is brutal, as it sweeps through the Westeros courts propelling its characters into a dance of revenge and power, and all done in crimson. The shades of red in this positively chilling wet work, start right at the heart of Episode 1.
Against the backdrop of the giant castles and turbulent skies, House of Targaryen makes its way toward the ominous revenge plot we see coming. Pairing the dangerous intentions of Daemon Targaryen, who details his revenge for his nephew’s death, with some introspective voiceover, the opening scenes of the season are characterised by dark intentions and sombre reflection. This episode is not just a return to the depressing tones of an act of treachery, but the ‘Red Wedding’ of House of the Dragon.
This act, planned by Daemon, introduces us to Blood and Cheese, whose names are as chillingly grim as their task The plan of revenge devised by Daemon, rendered red by vengeance and black by loss, foreshadows a confrontation resonant of previous tragedies of loss and betrayal, and yet bleeds into its own penultimate rite of shock and woe.
The episode’s cruel twist and its ripple effects elicit a multitude of responses from the cast, as they, as characters, try to comprehend the bloody act that Daemon (played by Matt Smith) perpetrated. It is precisely this kind of reflection that suggests how HBO’s series is invested in delving deeply into the souls of its characters.
As the episode progresses, it gradually becomes clear that no one will survive this quest for supremacy that also calls for revenge. This episode brilliantly captures the disordered minds of its characters – themes of guilt, responsibility and the eternal quest for supremacy – from the vantage point of Team Black: a son must be replaced with a son. But the morality of their decisions is another issue, with red that refuses to fade into the background.
The strategic and temporal mystification of the Blood and Cheese plotline not only allows the embedding and ultimate unembedding of the whole revenge story, it offers audiences another way of experiencing it, another ending to the ‘hopeless’ intimations of the literary source. With every adaptation it makes, and with every wrinkle it introduces, Game Of Thrones insures that it remains somewhat unpredictable, always narratively disorienting, even for audiences who know what’s coming. From maps to main characters, it creates a fictional world that feels increasingly real, not just for those watching, but also, I think, for those making it. It yields to the emerging dominance of the red and the inevitable, the blood that flows from it, the grievances that burn like fire.
In the coming weeks, the shadows cast by A Son for a Son are likely to see the drama play out in shades of red deepening as the season progresses. The game of thrones is played on battlefields where the ground is still stained with Blood and Cheese, where trust is forever compromised, and the lust for power, in Corday’s case, knows no bounds. The echoes of the episode’s carnage invite an enduring question that also hangs over the saga: Will it be worth it? How much will it cost? And who will really be paying?
While red is the colour of the banners of House Targaryen and the fire of their dragons, in the House of the Dragon, it also symbolises bloodshed (shed in the name of honour, of love turned to hate, and of the unending human quest for power), but it also links together characters and fates as ancient as the story itself. Throughout the series, red will be the colour that connects – as sign, story and signal sense – characters and their fate into an embodied chain and dance, from its origin to our own time.
It is in this place where dragons fly and thrones await their lords, in which the story of red, white and blood continues with new characters, memorable lines and epic adventures. The topic of ‘House of the Dragon’ asks audiences to reflect on ambition, power and revenge. As the saga continues, one thing is for sure: in the game of thrones, red is not just a colour, it is a legacy.
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