APPLE shines as the North Star coordinating ever more interest and acclaim in the constellation of digital innovation. Fifty-four days before WWDC 2024, APPLE has opened its ‘desert of mirrors’ to honour the developers and masterpieces they produce. The APPLE Design Awards signify excellence in design every year to recognise the apps and games whose creative, functional and social innovation challenges current possibilities.
The announcement of the shortlist for the 2024 APPLE Design Awards unveiled a colourful rainbow of apps and games, each containing cutting-edge innovations and improvements in one of six areas: Delight and Fun, Inclusivity, Innovation, Interaction, Social Impact, Visuals and Graphics, and Spatial Computing. These are the categories that continue to provide the crucibles in which the spirit of 21st-century digital craftsmanship is forged.
In the Delight and Fun category alone, APPLE’s nominees come in the form of Dudel Draw and Bears Gratitude, and include side projects by Michel Gagné such as Rooms and What The Car?, whose very titles emanate pure delight. Every single app represents a fun experience that someone has invented.
This category proudly showcases apps such as Oko and Complete Anatomy 2024, as well as games such as Unpacking and Crayola Adventures, a testament to APPLE’s mission of creating a digital landscape that ‘celebrate[s] the diversity we all share’.
Innovation forms the beating heart of APPLE’s ethos (‘Think Different’, as it was proudly heralded) and this moral philosophy of the company shines through in its selection of the imaginal figures they choose as award nominees. From the artist’s playground of The Procreate Dream nominated by illustrator Sarah Ewing to Copilot’s money-management tool nominated by the personal finance advisor Kenji Hakuta, these nominees have pushed the digital boundary, inviting users to traverse new digital worlds.
The Interaction category includes nominees such as Arc Search and Crouton, as well as games including Little Nightmares, for their deft combination of functionality and delight. Such nominees showcase digital spaces that invite play, exploration and discovery.
Apps such as How We Feel, Wavebreak and the games The Wreck and Stories Untold, which all fall under the Social Impact umbrella, provide desirable fun and entertainment, while also giving game and app users something of value that goes beyond entertainment, promoting wellness, empathy and community engagement.
Sunlitt and Death Stranding Director’s Cut are two nominees here. Both demonstrate the future of visual design, shifting users into otherworldly pixelated playgrounds that heighten the awareness of the player’s sense of sight. In the Sound category, NBC Olympics Tokyo is nominated for its exceptional sound design.
Now greeting users to the Spatial Computing category is APPLE Vision Pro, and apps and games such as Sky Guide or Synth Riders that use new technologies to provide unprecedented interactive experiences and usher in a new era of digital innovation.
In the months leading up to WWDC 2024, people will be watching for the announcement of the nominees. More than just revealing the formidable creativity of the developer community, the nominations are a testament to the fact that APPLE is investing in the future of digital design and excellence.
A key part of APPLE’s ethos embodies coming up with the best products, the next innovation and the most inclusive experience for all. The APPLE Design Awards bestowed upon select developers show appreciation and set an incubation scene of what could be beyond. APPLE is creating and breeding an ecosystem that supports creativity, functionality and social impact – the secret sauce responsible for the company’s longevity.
With WWDC 2024 only weeks away, and the APPLE Design Awards winners not far in the rear-view mirror, it’s clear that APPLE’s vision of tomorrow is one in which technology isn’t just a source of entertainment but a powerful force for enrichment, empowerment, and global collaboration. The nominated apps and games represent the cutting edge of all that’s to come.
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